The scale of the intervention is in deliberate contrast to the detailing of the existing structures. Oversized glass panels and exposed structural steel on the Euston Road buildings emanate strength, weight and power. In doing so they exclude any relation to familiar human scale. The proposal sees the wax objects suspended at a comprehendible height which aims to frame human movement through the space - contrasting and accentuating the towering architecture. I'm also aware that the wax items themselves are very small and may become enveloped by the surroundings. I feel though, that this could almost be a positive point - the work may not be immediately instrusive but 'discovered', creating a sudden shift in the viewer's interpretation of the architecture at the moment of discovery.
